It all began with the simple feeling of not liking coloured glazes.
And the urge to create an object that had the same visual appeal and haptic feeling from all perspectives.
That’s how I started working with porcelain, colouring the masses themselves rather than applying colour on the surface.
And the urge to create an object that had the same visual appeal and haptic feeling from all perspectives.
That’s how I started working with porcelain, colouring the masses themselves rather than applying colour on the surface.
